MVRDV and Hyde Park BV have unveiled their design proposal of Hoofddorp’s Station Quarter, a project that aims to transform the area around the existing station into an ecofriendly and affordable urban district. The masterplan will offer 8,500 housing units and renovated train, bus, and metro stations, providing a solution to the housing shortage and access to public transportation without compromising the quality of living.
A couple of hours outside of Mexico City, the rural lake town of Valle de Bravo sits in a valley between mountains, offering perennially agreeable weather and panoramic nature views. Within it, the site for Casa Aguacates — a residential project meant to function as a weekend retreat, and designed by architect Francisco Pardo — is a peculiar one, in which an avocado field slopes down into a dense forest and glen.
The 26th UN Climate Change Conference of the Parties (COP 26) debuted yesterday in Glasgow, bringing together more than 190 world leaders, with the aim of accelerating action to reach the goals of the Paris Agreement and UN’s Convention on Climate Change. Leading architecture organizations and figures are attending the two-week summit to show the AEC’s industry’s commitment to reduce carbon emissions and urge decision-makers to implement clear targets to achieve global climate goals.
Cities have always been a stage for transformations. The directions, the flows, the different ways of using the spaces, the desires, all change and give way to new places and needs. Such richness provides the city with an innovative and mutable character, but it also implies demand for more flexible architecture in terms of the functional program and structure. Especially during the past year, we have witnessed – at breakneck speed – great changes in the cities and urban spaces. The pandemic brought new paradigms that suddenly disrupted long-established norms. Houses became offices, offices became deserts, hotels turned into health facilities, and stadiums turned into hospitals. Meanwhile, architecture has had to reveal its flexibility to support purposes that could not be foreseen. This adaptability seems to have become the key to creating spaces that are coherent with our current lifestyle and the speed of modern times.
If you haven’t seen Respect, I highly recommend it. The Liesl Tommy-directed biographical film based on the life of American singer Aretha Franklin visually takes us back to the 1960s through a successful set work. Here, Production Designer, Ina Mayhew had the job of creating a series of locations where color palettes undoubtedly evoke more than emotions: Her suburban home from her childhood in Detroit, the sassy jazz clubs of New York City, her luxurious Upper West Side apartment, and finally her ultramodern home in Los Angeles.
In Bressanone (Bolzano, Italy), the oldest city in Tyrol, the economic centre of the Isarco Valley and the third-largest city in South Tyrol, architectural firm Carlana Mezzalira Pentimalli has completed “Wunderkammer”: the Music School of Bressanone, an institution founded in 1961, and a landmark for the entire region.
The invitation to write, in the space of the correspondences, about the architectural design for the 34th Bienal de São Paulo led us to reflect on the work process around it and to revisit the reading that we made of the event’s curatorial proposal – which is aimed discussing the relationship between things, much more than the things themselves. A discussion that is centered on the possibility of dialogue – or of mediation – as a way of relating with the world.
the exposed concrete home is designed to make the most of the rich natural environment and sweeping panorama.
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A futuristic space is born in a machiya-style house of Japan’s ancient capital.
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