Articles by Agustina Iñiguez

How can industrialization and environmental responsibility go hand in hand? What siting, technological, or constructive strategies can be developed without harming the surrounding landscape? The application of modular design in architecture has been in practice for years, with a history involving the pursuit of standardization and modular coordination among materials, products, and more. Over time, it has been complemented by various environmental, sustainable, ecological, and economic factors to achieve the adaptability and functionality desired by its inhabitants.

In a constant search to find new ways to reduce costs and construction times, modular architecture emerges as an opportunity to implement various methods, technologies, and techniques to design livable spaces using separate repetitive elements such as modules. As Tom Hardiman, executive director of the Modular Building Institute (MBI), maintains, “Modular” is not about a construction product but rather a construction process.

As part of the Design Doha 2024 Biennial, Glenn Adamson and Péter Tamás Nagy present the exhibition “Colors of the City: A Century of Architecture in Doha” investigating the architectural evolution of the capital of Qatar based on multiple global influences that characterize it. Running until March 30, 2024, the exhibition offers a journey through Doha’s architectural history featuring various styles such as Classicism, Art Deco, and Modernism, contemplating the Qatari adaptations of these styles developed by architects from Europe, America, the Middle East, and South Asia.

According to the climatic conditions of each region and its implantation environment, exterior enclosures play a fundamental role in providing the necessary climatization and ventilation conditions to make indoor spaces habitable and comfortable. While there are various bioclimatic strategies and designs that can be applied to achieve energy efficiency, the determination of materiality, the choice of hardware, and the definition of opening and closing technologies contribute to the performance of facades, providing functionality and a high degree of adaptability to contemporary uses, among other factors.

What is symmetry in architecture? Why is it used to design spaces? What advantages and disadvantages does it present compared to other projection tools such as rotation, translation, and/or repetition? Contemporary architecture evolves day by day by implementing different strategies to create habitable spaces where people can carry out their daily activities, meet their needs, and more. Considering symmetry as a possible means of organization, distribution, and movement in the plane, architecture expresses and communicates largely through graphic means (floor plans, volumes, photographs, etc.) in a relationship that seeks coexistence, in most cases, of spaces, proportions, and scales in harmony.

When delving into the envelope of construction and examining how the interior relates to the exterior, the concept of greenhouses emerges as an opportunity to cultivate life indoors, whether dependent on external factors or not. Defined as spaces enclosed by glass or other transparent plastic materials, greenhouses facilitate the growth of vegetables and ornamental plants even during periods of adverse external weather conditions. However, what does designing for plants involve? Climate, species, structural design, and the type of covering are just a few of the considerations to take into account.

From Tafí del Valle to San Carlos de Bariloche, the implementation of natural stone in contemporary Argentine architecture reveals the decisions of architects seeking to maintain a dialogue with their surrounding environment and highlight the purity of materials. While stone is one of the oldest building materials, enduring throughout history, its application in homes in Uruguay, Brazil, and Mexico highlights different characteristics in terms of textures, shapes, shades, and patterns.

When designing spaces with reduced dimensions, adopting an efficient configuration and distribution is crucial for the user experience and the smooth development of activities and tasks to be carried out. In the case of bars and restaurants, numerous architecture and interior design professionals strive daily to meet the needs of clients, employees, and employers, considering everything from necessary installations and technologies to services, atmospheres, and furniture suitable for the type of gastronomy to be consumed.

By December 1956, Mario Soto and Raúl Rivarola received the first prize to build four schools in the province of Misiones, Argentina. That was followed by the first prize for the construction of six hostels, the commissioning of the project for the Escuela Normal Superior N° 1 in Leandro N. Alem, and the first prize for the construction of the Instituto de Previsión Social y Hotel in the city of Posadas. Their works in Misiones, developed within the framework of the process of provincialization of the national territories that took place between 1951 and 1955, have provided the opportunity to study themes such as the link between the State and architecture, the connection between technique and politics, state architecture and avant-gardes, the dilemma of styles, among many others.

In the same way that societies transform, times change, and cities evolve, industrial architecture modernizes and technifies, sometimes reaching a state of abandonment or ruin. Understanding its value as a built legacy and being vestiges of technological, social, and cultural changes, the renovation and/or conversion of numerous factories and industrial warehouses can lead to the revitalization, recovery, or growth of various areas in large cities, incorporating new uses and spaces for the enjoyment of their citizens.