Interior design plans for the newly opened “WKM GALLERY” in the Wong Chuk Hang district of Hong Kong. Wong Chuk Hang neighborhood has thrived in recent years as a hub for contemporary art, with various galleries and artist studios occupying old buildings. WKM GALLERY, based in such an area, has been established as a global platform for emerging artists in contemporary art and street art and established artists, including those from Japan.
Frame Garden Café called Tanatap is another iteration prototype of a multi-leveled greenspace with dynamic platforms that rise and fall to create a walkable roofscape that acts as an extension for the public to enjoy the public parks from a better and grander perspective. Pursuing a façade-less architecture, the design was started with the question, what if the flexibility of community activities, art exhibitions, and garden spaces acted as an unlimited permutation of functional façade that defined the space and shaped the identity of the architecture itself? The design was to demonstrate a selfless approach to creating many sheltered indoor spaces hidden within a simple multi-leveled garden. Spaces that were created became a sequential space and were not an initial space.
Frame Garden Café called Tanatap is another iteration prototype of a multi-leveled greenspace with dynamic platforms that rise and fall to create a walkable roofscape that acts as an extension for the public to enjoy the public parks from a better and grander perspective. Pursuing a façade-less architecture, the design was started with the question, what if the flexibility of community activities, art exhibitions, and garden spaces acted as an unlimited permutation of functional façade that defined the space and shaped the identity of the architecture itself? The design was to demonstrate a selfless approach to creating many sheltered indoor spaces hidden within a simple multi-leveled garden. Spaces that were created became a sequential space and were not an initial space.
Frame Garden Café called Tanatap is another iteration prototype of a multi-leveled greenspace with dynamic platforms that rise and fall to create a walkable roofscape that acts as an extension for the public to enjoy the public parks from a better and grander perspective. Pursuing a façade-less architecture, the design was started with the question, what if the flexibility of community activities, art exhibitions, and garden spaces acted as an unlimited permutation of functional façade that defined the space and shaped the identity of the architecture itself? The design was to demonstrate a selfless approach to creating many sheltered indoor spaces hidden within a simple multi-leveled garden. Spaces that were created became a sequential space and were not an initial space.
The need to house an important private contemporary art collection dictated the program for the new project in a set of rehabilitation interventions scheduled for the Quinta de São João, in Câmara de Lobos.
The requirements for the project and its genesis were the transformation of a 1920s apartment, which belongs to a building signed by the architect Francisco Prieto Moreno, into a short-term residence for a couple whose permanent house is between London and Singapore. They also needed the apartment to be an exhibition space for their art collection.
In the pursuit of a precise project definition, it is articulated as follows: the envisaged structure encompasses a two-story house featuring two distinct entrances, each leading to separate chambers. The residential floor is accessible via six stairs, while an additional set of six stairs grants entry from the yard to the basement floor, designed for storage purposes.
Kim Swoo-geun’s masterpiece “Space,” a building designed between 1971 and 1977 during South Korea’s military dictatorship, explores the identity of Korean architecture by using bricks both inside and outside, a common building material in the country. Next to the building, Jang Se-yang, one of his disciples, built an open-plan glazed building in 1997 as a symbol of a new era, creating a strong contrast and marking the area’s history. In 2014, a traditional Korean hanok was relocated to the site, and the brick building was converted to a museum, while the glass building was converted to a restaurant.
The MAHA HERmit Space is located within the central park of a high-end community in the core area of Beijing. It consists of three distinct areas “Islet Space,” “Cave Space,” and “Ravine Space.” The original site was three independent sunken courtyards in the underground parking lot of the community. BUZZ, while preserving the special value of the site, redefined them through three different design approaches, endowing the space with a completely new experience. This redesign aimed to strengthen its community and landscape attributes to meet the demands of a contemporary art space functioning as a composite content hub.
The Sky Light Gallery consists of a composition of abstract geometric forms that compliment the picturesque landscape of Mentougou on the outskirts of Beijing. The building is sited on an elevated location that overlooks the grounds of TANKO Park. Sky Light Gallery anchors the culmination of a prominent park route and functions as a hub for exhibitions and events
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